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Rate This. In Theaters Now. A series of stories following a week in the life of a philandering paparazzo journalist living in Rome. Director: Federico Fellini.
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User Polls Who was the King of Cool in the '60s? Won 1 Oscar. Edit Cast Cast overview, first billed only: Marcello Mastroianni Marcello Rubini Anita Ekberg Maddalena as Anouk Aimee Yvonne Furneaux Fanny as Magali Noel Alain Cuny Steiner Annibale Ninchi Il padre di Marcello Walter Santesso Paparazzo Valeria Ciangottini Paola Riccardo Garrone Riccardo Evelyn Stewart Jane Polidor Pagliaccio Alain Dijon Frankie Stout Mino Doro Learn more More Like This.
A harried movie director retreats into his memories and fantasies. Steiner shows off his book of Sanskrit grammar. The two continue playing the piano, even offering up some jazz pieces for the watching priest.
Although the Catholic Church is officially skeptical, a huge crowd of devotees and reporters gathers at the site. Blindly following the two children from corner to corner in a downpour, the crowd tears a small tree apart for its branches and leaves said to have sheltered the Madonna.
Meanwhile, Emma prays to the Virgin Mary to be given sole possession of Marcello's heart. An American woman, whose poetry Marcello has read and admired, recommends that Marcello avoid the "prisons" of commitment: "Stay free, available, like me.
Never get married. Never choose. Even in love, it's better to be chosen. Outside on the terrace, Marcello confesses to Steiner his admiration for all he stands for, but Steiner admits he is torn between the security that a materialistic life affords and his longing for a more spiritual albeit insecure way of life.
Steiner philosophizes about the need for love in the world and fears what his children may grow up to face one day. He asks her if she has a boyfriend, then describes her as an angel in Umbrian paintings.
With Paparazzo, they go to the Cha-Cha-Cha Club where Marcello introduces his father to Fanny, a beautiful dancer and one of his past girlfriends he had promised to get her picture in the paper, but failed to do it.
Fanny takes a liking to his father. Marcello tells Paparazzo that as a child he had never seen much of his father, who would spend weeks away from home.
Fanny invites Marcello's father back to her flat, and two other dancers invite the two younger men to go with them.
Marcello leaves the others when they get to the dancers' neighborhood. Fanny comes out of her house, upset that Marcello's father has become ill.
Marcello wants him to stay with him in Rome so they can get to know each other, but his father, weakened, wants to go home and gets in a taxi to catch the first train home.
He leaves Marcello forlorn, on the street, watching the taxi leave. There is already a party long in progress, and the party-goers are bleary-eyed and intoxicated.
By chance, Marcello meets Maddalena again. The two of them explore a suite of ruins annexed to the castle. Maddalena seats Marcello in a vast room and then closets herself in another room connected by an echo chamber.
As a disembodied voice, Maddalena asks him to marry her; Marcello professes his love for her, avoiding answering her proposal. Another man kisses and embraces Maddalena, who loses interest in Marcello.
He rejoins the group, and eventually spends the night with Jane, an American artist and heiress. Emma starts an argument by professing her love, and tries to get out of the car; Marcello pleads with her not to get out.
Emma says that Marcello will never find another woman who loves him the way she does. Marcello becomes enraged, telling her that he cannot live with her smothering, maternal love.
He now wants her to get out of the car, but she refuses. With some violence a bite from her and a slap from him , he throws her out of the car and drives off, leaving her alone on a deserted road at night.
Hours later, Emma hears his car approaching as she picks flowers by the roadside. She gets into the car with neither of them saying a word.
He rushes to the Steiners' apartment and learns that Steiner has killed his two children and himself. Many of the men are homosexual. The drunken Marcello attempts to provoke the other partygoers into an orgy.
However, their inebriation causes the party to descend into mayhem with Marcello throwing pillow feathers around the room as he rides a young woman crawling on her hands and knees.
Riccardo shows up at the house and angrily tells the partiers to leave. He signals his inability to understand what she is saying or interpret her gestures.
He shrugs and returns to the partygoers; one of the women joins him and they hold hands as they walk away from the beach. In a long final close-up, Paola waves to Marcello then stands watching him with an enigmatic smile.
In various interviews, Fellini said that the film's initial inspiration was the fashionable ladies' sack dress because of what the dress could hide beneath it.
Credit for the creation of Steiner, the intellectual who commits suicide after shooting his two children, goes to co-screenwriter Tullio Pinelli.
Having gone to school with Italian novelist Cesare Pavese , Pinelli had closely followed the writer's career and felt that his over-intellectualism had become emotionally sterile, leading to his suicide in a Turin hotel in Set designer Piero Gherardi created over eighty locations, including the Via Veneto , the dome of Saint Peter's with the staircase leading up to it, and various nightclubs.
Some of the servants, waiters, and guests were played by real aristocrats. Fellini combined constructed sets with location shots, depending on script requirements—a real location often "gave birth to the modified scene and, consequently, the newly constructed set.
Fellini scrapped a major sequence that would have involved the relationship of Marcello with Dolores, an older writer living in a tower, to be played by s Academy Award -winning actress Luise Rainer.
It was only after the actor "polished off a bottle of vodka" and "was completely pissed" that Fellini could shoot the scene. The character of Paparazzo, the news photographer Walter Santesso , was inspired by photojournalist Tazio Secchiaroli  and is the origin of the word paparazzi , used in many languages to describe intrusive photographers.
Ennio Flaiano , the film's co-screenwriter and creator of Paparazzo, reports that he took the name from a character in a novel by George Gissing.
Marcello is a journalist in Rome during the late s who covers tabloid news of movie stars, religious visions and the self-indulgent aristocracy while searching for a more meaningful way of life.
Marcello faces the existential struggle of having to choose between two lives, depicted by journalism and literature. Marcello leads a lifestyle of excess, fame and pleasure amongst Rome's thriving popular culture, depicting the confusion and frequency with which Marcello gets distracted by women and power.